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Homo Sapiens; Anima Iniqua

de Aurelio Monge

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À propos du livre
HOMO SAPIENS - ANIMA INIQUA



Work presented at the Biennial of Art in Corbera d'Ebre (Spain) in 2011.



Throught it, Aurelio monGe presents a reflection based on some articles of the Universal Declaration of Human Rights and other rights not listed in it but vital to the survival and human dignity.



A deep and slow vision that invites us to self-reflection from the silence and solitude.







"Homo Sapiens (knowing man)…

What does the man knows?"



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(ESPAÑOL)



HOMO SAPIENS - ANIMA INIQUA



Obra presentada en la Bienal de Arte de Corbera d'Ebre (Tarragona) en 2011.



A través de ella, el autor plantéa una reflexión basada en algunos artículos de la Declaración Universal de los Derechos Humanos y otros derechos no contemplados en ella pero vitales para la supervivencia y la dignidad humana.



Una visión profunda y pausada que nos invita a la reflexión própia desde el silencio y la soledad.





"El Hombre que piensa…

¿En qué piensa el Hombre?"
Site Web de l'auteur
http://aureliomonge.com
Caractéristiques et détails
  • Catégorie principale: Livres d'art et de photographie
  • Format choisi: Petit carré, 18×18 cm
    # de pages: 24
  • Date de publication: déc 26, 2011
  • Langue English
  • Mots-clés homo, sapiens, anima, iniqua, aurelio, monge, hombre, man, sabio, knowing, alma, soul, injusta, unjusted
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À propos du créateur
mgartstudio
Aurelio Monge
Barcelona

Born in Andalucia (Spain, 1971) Aurelio Monge is a versatile visual artist whose portfolio is inspired deeply by Baroque painters and other Old Masters of Romanticism, Academism, and Symbolism especially Caravaggio, Ribera, Velazquez, David, Gericauld and Bouquereau. His work also focuses on the human figure impregnated by his enthusiasm for Greco-Roman culture and Classical sculpture particularly Phidias, Lysippus, Michelangelo, Cellini and Giambologna. He likes to take care of the composition and framing. Taking advantage of natural light and grain textures at high sensibilities. Capturing the motion. Playing with the expressive possibilities of the models or the sculptural artworks.

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