Above, Still documents a sculptural work that explores the physical and psychological experience of anxiety.

Through layered materials and handwritten text, the work reflects how anxious thoughts accumulate, blur, and shift over time. What appears distant and indistinct from afar becomes increasingly overwhelming upon closer approach, mirroring the instability of perception.

This publication follows the transformation of the work from initial concept to final form, inviting viewers to consider how scale, distance, and proximity shape their encounter with both the object and their own internal states.