À propos du livre
Third-person perspective throughout. An empathic witness documenting bodies that betray, distances that can't be closed, weight that accumulates without relief. The poems refuse comfort. No resolution grafted on, no hope where there isn't any, no false connections between experiences that don't actually relate except through the fact of being hard.
Compressed prose and sculpted white space. Each piece finds pattern in what resists optimization, applies operational precision to experiences that can't be databased. The structure that remains is architecture, not decoration - breathing room around what can't be explained away.
This collection doesn't perform sentiment. It just documents that these things happen, they mark people, and the marks don't optimize away.
Caractéristiques et détails
- Catégorie principale: Poésie
- Catégories supplémentaires Beaux livres, Minimaliste
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Format choisi: 15×23 cm
# de pages: 24 - Date de publication: janv 17, 2026
- Langue English
- Mots-clés Witness, Grief, Poetry
À propos du créateur
Rachel’s work inhabits the fracture between perception and truth. She writes toward the moment when understanding becomes unbearable—where silence turns into evidence and containment fails. Her fiction rejects sentimentality and prettified realism, choosing instead to witness the unfiltered complexity of human experience: the mess, the control, the quiet brutality of being alive. Her prose is precise, restrained, and emotionally charged—architecture built to contain chaos. Through nonlinear structures and intimate psychological tension, she explores how order disguises decay, how empathy survives under antiseptic light, and how consciousness endures itself. Rachel’s stories don’t seek catharsis; they seek accuracy. To her, writing is not confession or comfort but an act of moral observation: the radical belief that to see clearly, without distortion, is a form of love.
