pushing in a dark age
(2015 - 2025) a modernist essay
de r.chorneau
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À propos du livre
"pushing in a dark age” by r.chorneau is the first of six volumes, each depicting different aspects of his photography. Selections made are work distilled from a decade of production, curated and posted daily to his (amercanseekingasylum) Flickr site.
Pushing In a Dark Age is not advocacy photography, though it may function that way. It is closer to social archaeology — an excavation of presence under the conditions of late modern life.
These photographs are low in tone and spare in gesture. They do not announce crisis; they register it quietly. Figures emerge from shadow not as symbols, but as witnesses — to economic precarity, to isolation, to endurance. The camera does not intervene. It attends.
The work resists spectacle. It refuses sentimentality. It does not argue. Instead, it accumulates — image after image — until the weight of looking becomes unavoidable.
Alma Sugar, 2025
Caractéristiques et détails
- Catégorie principale: Photographie de rue
- Catégories supplémentaires Photographie artistique, Beaux livres
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Format choisi: Grand format paysage, 33×28 cm
# de pages: 128 - Date de publication: oct 07, 2025
- Langue English
- Mots-clés r.chorneau, street, photography, humanity
À propos du créateur
r chorneau is an american painter and photographer born in los angeles in1952. self taught and formed as much by labor as art schools, working in boat yards, machine shops, and commercial fishing before devoting himself fully to painting and photography. his work moves between modernist street photography and deeply physical painting, shaped by shadow weather solitude and the dignity of ordinary life. over the last decade he produced thousands of photographs walking the streets of savannah and portland, building books that read as one long human document broken into fragments. living and working in portland with the painter, ruth hunter, he continues to make art outside fashion, careerism, and institutional permission, guided instead by endurance observation and the necessity of seeing.
