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    Exuviae: Stumped

    de Corn Wagon Thunder

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    It was the summer of 2020 when I arrived in Albuquerque. I was eager to explore my new surroundings and began taking long walks in the cool of the evening. Pandemic precautions kept most folks at a distance, but I was getting to know my new neighbors by the things that adorned their homes and yards. As I walked, I noticed an uncanny proliferation of tree stumps—most knee height but some taller than I. These arboreal vestiges felt lonely, sad, and a little quirky. They gave me pause and brought to my mind the Woodmen of the World tree-stump tombstones that dot cemeteries across the country.
    Woodmen of the World is a fraternal organization dating back to the nineteenth century. The Woodmen believed in the dignity of a marked grave and so provided for their members, as part of the death benefit, a tombstone shaped like a tree stump. More than a few folks bought in to the idea. To warrant such a marker one need not be a lumberjack; the sawed-off limbs were meant to symbolize a life cut short. As I contemplated and compared the odd ruins of urban trees to those stone monuments carved to resemble them, I wondered why anyone would want to have a tombstone in their front yard.
    Site Web de l'auteur
    https://www.cornwagonthunder.com
    Caractéristiques et détails

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    • Catégorie principale: Livres d'art et de photographie
    • Format choisi: 15×23 cm
      # de pages: 24
    • ISBN
      • Couverture souple: 9798211550230
    • Date de publication: févr 11, 2023
    • Langue English
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    À propos du créateur
    CornwagonT
    Corn Wagon Thunder
    Santa Fe, NM

    Born in rural North Carolina in 1974, artist Corn Wagon Thunder credits her Southern upbringing as influential to her approach to art making. As is so often the case, she had to leave her home before she could see its influence. At age eighteen, Corn high-tailed it to Boston, Massachusetts, where she picked up a little bit of Yankee sass and received her Bachelor of Fine Arts from the School of the Museum of Fine Arts, Boston, in conjunction with Tufts University. After enduring a few too many New England winters, Corn returned to her North Carolina home with her tail tucked. It was this return that fueled her investigation into what it means to be from the South. During this time, Corn studied at Penland School of Craft in North Carolina—also known as Shangri-La. Doors opened for Corn during this time, and she decided to walk through one, which led her to the Southwest in pursuit of a Master of Fine Arts at the University of New Mexico.

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