The second volume in The Doors of Perception series. Black-and-white medium format photographs from Zion, Sedona, and the Grand Canyon, structured as a photographic essay in four movements — Confinement, Character, Expansion, Seeing. Shot on Ilford FP4 Plus and Ilford XP2 Super with a Pentacon Six TL, handheld. The focus is on structure rather than spectacle: how canyon walls press in, how stone finds gesture, how the land opens what attention began. The book closes not in the desert but a few miles from home — at a door the photographer had walked past for years without seeing. A continuation of the practice begun in Edition 1, grounded in William Blake's invitation to see everything as it is: infinite.